Gods of Jade and Shadow

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No wonder in lazy Uukumil everyone held to the old ways. No wonder, either, that their priest grew more overzealous, intent on preserving morality and the Catholic faith. He eyed every woman in town with suspicion. Each diminutive infraction to decency and virtue was catalogued. Women were meant to bear the brunt of inquiries because they descended from Eve, who had been weak and sinned, eating from the juicy, forbidden apple.

He looked disappointed. He’d wanted a scuffle. She smiled when he handed her the money she needed to run the errands. He looked so put off by that smile, she thought for a moment he was going to slap her for no reason. Casiopea left the house in her dirty skirt, without even bothering to wrap a shawl around her head. Casiopea is the eighteen-year-old granddaughter of a town elder. Despite his privileged status, questions over her paternity lead him to treat her like a slave, with his bullying grandson Martín adding to her misery. Simultaneously heartbreaking and heart-mending, Gods of Jade and Shadowis a wondrous and magical tale about choosing our own path. I felt weepy and happy and hopeful when I finished—everything you want to feel at the end of a great story.” —Kevin Hearne, New York Timesbestselling author of The Iron Druid Chronicles and A Plague of GiantsNevertheless, she dreams of a life far from her dusty small town in southern Mexico. A life she can call her own. Had Casiopea possessed her father’s pronounced romantic leanings, perhaps she might have seen herself as a Cinderella-­like figure. But although she treasured his old books, the skeletal remains of his collection—­especially the sonnets by Quevedo, wells of sentiment for a young heart—­she had decided it would be nonsense to configure herself into a tragic heroine. Instead, she chose to focus on more pragmatic issues, mainly that her horrible grandfather, despite his constant yelling, had promised that upon his passing Casiopea would be the beneficiary of a modest sum of money, enough that it might allow her to move to Mérida.

A lush, bittersweet tale of courage, love, and carving your own place in the world . . . Silvia Moreno-Garcia’s evocative prose will take you on an adventure for the mind and the heart.” —Christina Henry, author of Aliceand The Girl in Red The country was supposed to be secularist after the revolution, something that sounded fine when it was printed as a decree, but was harder to enforce once push came to shove. Cristero rebellions bubbled down the center of Mexico whenever the government tried to restrict religious activity. That February in Jalisco and Guanjuato all priests had been detained for inciting people to rise against the anti-­Catholic measures promoted by the president. Yet Yucatán was tolerant of the Cristeros, and it had not flamed up like other states. Yucatán had always been a world apart, an island, even if the atlas assured Casiopea she lived on a verdant peninsula. So, while women in other parts of the world cut their hair daringly short and danced the Charleston, Uukumil was the kind of place where Casiopea might be chided if she walked around town without her shawl wrapping her head. The Jazz Age is in full swing, but Casiopea Tun is too busy cleaning the floors of her wealthy grandfather’s house to listen to any fast tunes. She longs to escape, and gets her chance one day upon finding a heap of bones inside an old discarded chest. Before her very eyes, those bones become Hun-Kamé, the Mayan god of death. With one of his bones embedded in her skin, Casiopea and Hun-Kaméare magically bound together, so he takes her along on a dangerous quest to enact revenge on his treacherous brother, Vacub-Kamé. The journey will change them both, forever.An evocative and moving modern Indigenous fairy tale filled with quiet moments of vulnerability and honesty. Oh, my heart!” —Rebecca Roanhorse, Hugo and Nebula award winning author of the Sixth World series

Yet this new life seems as distant as the stars, until the day she finds a curious wooden box in her grandfather's room. She opens it — and accidentally frees the spirit of the Mayan god of death, who requests her help in recovering his throne from his treacherous brother. Failure will mean Casiopea's demise, but success could make her dreams come true. In the company of the strangely alluring god and armed with her wits, Casiopea begins an adventure that will take her on a cross-country odyssey from the jungles of Yucat n to the bright lights of Mexico City--and deep into the darkness of the Mayan underworld.

Silvia Moreno-Garcia is a Canadian author, who was born and raised in Mexico. Her debut novel, Signal to Noise, won the 2016 Copper Cylinder Award, which recognizes works of speculative fiction.